Innocence In Roberto Benignis Life Is Beautiful

Monday, February 21, 2022 1:46:28 AM

Innocence In Roberto Benignis Life Is Beautiful

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Life is Beautiful Trailer

I am not able to grasp why on earth this movie is made. It is so bad so bad. There is absolutely no meaning in all this and they don't even try to make a meaning of it. If that wasn't enough there is so many horrible scenes and bad acting in this movie that it would feel like a pleasure to sit through even the worst Jean Claude Van Damme movie.

Apparantly it consists of two handfulls of arab warriors. And they can't even beat a fat Rutger Hauer - I have trouble seeing them and their kind conquer an entire dimension unless that dimension was populated with blind dwarfs with no arms. How about that for a sudden cure! But when Joe comes back the workshop is there again - he has apparantly done something different. But what is it?? The movie don't even try to explain it. Well I guess the workshop is transdimensional too. Instead of killing them? The movie offers no explanation. The producers offer os no explanation. And I really could go on - the nonsence just continues in this "movie". The last 10 minutes of the movie are almost unbearable. The acting and the writing and the nonsence reached record depth.

Rating: 1 of Unbreakable This movie is overall a great one. Stellar performances by Samuel L. Jackson and Bruce Willis. But the real gem is the camera work which I have not seen anything like in the past. Especially the scene where the young "Mr. Glass" opens his present from his mom. Here the camera goes around his head degrees along with him turning the present. Also when he stands on top of the flight of stairs. The zoom out is absolutely brilliant and very effective.

The ending really caught me off guard. Rating: 8 of The Patriot I am just surprised of how people can be fooled into thinking that this is a great movie. I have not seen such cliches, one-dimensional characters and flagwaving BS since Independence Day. Oh - what a coincidence - Roland Emmerich. What would expect from the creator of Independence Day and Godzilla? A believable, non-xenophobic, no BS story? Off course not.

It is a "we are the good guys" typical Hollywood epic - take it or leave it. Rating: 5 of 10 loved the battle scenes after all. The Siege The last half our of this movie is so lousy I cannot grasp how on earth any intelligent human being can even think that it is going to work. Bruce Willis as the general is so-so-lousy I cannot believe it. The first one-and-a-half-hour is almost all right if it had not been for Denzel Washington, who does a very bad job of acting like Mr. Pursuit - Tommy Lee Jones.

He - Denzel that is - has one facial expression and he uses it in every scene. He does not convince me at all that he is capable of pursuing a man. Annette Bening is the only living thing in this poor movie. The closing redeeming scenes are very unbelievable and seems like "hurry - hurry - we need to wrap this thing up". Rating: 3 of Bowfinger The scenes where Eddie Murphy is "keeping it together" are comedy at its best.

He is really paranoid. I would recommend this movie to anybody wanting a light and very funny movie to watch. The Negotiator This movie is kept up with two great performances by Samuel L. Jackson and Kevin Spacey even though you can sense it is not Samuels cup of tea to be intimate with his wife. Those scenes seem phony to me. But all in all they deliver great performances. The theme of the movie has been seen a thousand times before. A man gets framed and is all alone in his pursuit to find the guilty ones. And off course this one has a happy ending too. The main problem with this movie is that you do not know the bad guys until very late in the movie and when you finally know the names of them, then you cannot remember who they are and what role they have had until that point in the movie.

That makes the closing scenes a bit like Scream 2 - "Hurry - we only have 5 minutes left - we need a couple of villains - any volunteers? If I had loathed either Samuel, Kevin or both of them I would have given this movie 3 out of But I admire both of them and they can be proud of their performance in this movie so I give it a 6 on the same scale. The Long Kiss Goodnight The makers of this movie have one request for the audience: "Please - leave your brain at home when you go seeing this one". The plot is so disconnected and unrealistic that you simply cannot ignore it. Did they just drove by or what? This is just covering 5 minutes of this movie and I could go on and on taking the plot apart, but I will spare you.

It seems to me that the main objective was to make the explosions and special effects look very impressive and after that they thought: "Hhhmm - what should be the story between explosion 1 and explosion 2?? OK - we move directly from explosion 1 to explosion 2 with no story in between". This one is not. Rating: 4 of The Big Lebowski There are no higher moral issues and no lessons to be learned besides: never spread the earthly remains ashes of your friend against the wind! The three main characters are all great. John Goodman is perfectly cast as the "can't-get-over-it Vietnam vet" Walther and the scene where he jumps out of a speeding car with a Uzi in order to pursue the kidnappers is slapstick at its best.

The best scenes though are the ones with The Dude, Walther and Donny arguing what to do with The Dudes personal problems. It cannot get any better. If you haven't laughed long and loud during this movie I will suggest brain surgery in order to find the lost sense of humour. The Stupids I only saw 45 minutes of this I cannot believe the people behind it. It is so bad and awful, that somebody MUST have seen: this is not going to work. Every - and I mean every joke - is so, so obvious that you can see them coming a mile away. They are not funny at all. At best I will agree to call them embarrassing.

If you consider to rent this It is almost a turning point from where there is no escape. Right after this, the two enjoy a night together that climaxes in Guido expressing his love for Dora. It has been seared into our subconscious, becoming, in a way, their love motif. The two are now separated yet again with Dora on one side of the concentration camp and Guido and his son on another. Guido is serving a banquet and suddenly comes upon a phonograph, the current LP finished.

As he searches through another connection of LP recordings, he finds something and puts it on, shifting the megaphone toward the window so that the music can play out into the camp. At the opera, he was hoping that she would actually shift her attention away from the stage and look in his direction, the music actually in direct opposition to his aims. But here, the music is that point of connection between the two and sure enough Dora responds, hearing the music clearly. Watch later. Copy link. Tap to unmute. If playback doesn't begin shortly, try restarting your device. When an open-minded Jewish librarian and his son become victims of the Holocaust, he uses a perfect mixture of will, humor, and imagination to protect his son from the dangers around their camp.

There's much to see here. So, take your time, look around, and learn all there is to know about my products. He's A Genius 2. Morning Sunshine 3. Strangers 4. Absolutely Incredible 5. Don't Miss Me Interlude 6. They Were The Greats 8. A Jazz Classic 9. Impeccable Crunchy Anno Guido Aurifex Italiane Guido Orefice , iucundus iuvenis Iudaeus, in Arretium pervenit; in suburbiis iuvenem magistram, cui nomen est Dora, cognoscit et ea inflammatur. Posthac in domo avunculi Aelisei, famulorum ducis. Roberto Benigni recita il primo canto dell'Inferno di Dante.

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