Three Dancing Figure Analysis

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Three Dancing Figure Analysis

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Keith Allen Haring May 4, — February 16, was an American artist whose pop art emerged from the New York City graffiti subculture of the s. The Whitney Museum held a retrospective of his art in Haring's popularity grew from his spontaneous drawings in New York City subways —chalk outlines of figures, dogs, and other stylized images on blank black advertising spaces. In , Haring opened the Pop Shop as an extension of his work. His later work often conveyed political and societal themes— anti- crack , anti- apartheid , safe sex, homosexuality and AIDS—through his own iconography. Keith Haring was born in Reading, Pennsylvania , on May 4, He was raised in Kutztown, Pennsylvania , by his mother, Joan Haring, and father, Allen Haring, an engineer and amateur cartoonist.

He had three younger sisters, Kay, Karen, and Kristen. Haring's family attended the United Church of Christ. This influenced his decision to leave the Ivy School. He was highly influenced around this time by a retrospective of Pierre Alechinsky 's work and by a lecture that the sculptor Christo gave in From Alechinsky work, he felt encouraged to create large images that featured writing and characters.

From Christo, Haring was introduced to ways of incorporating the public into his art. His first important one-man exhibition was in Pittsburgh at the Center for the Arts in He also worked as a busboy during this time at the nightclub Danceteria. Haring was also highly influenced in his art by author William Burroughs. In , Haring wrote in his journal: "I am becoming much more aware of movement. The importance of movement is intensified when a painting becomes a performance. The performance the act of painting becomes as important as the resulting painting. Haring first received public attention with his graffiti art in subways where he created white chalk drawings on a black, unused advertisement backboard in the stations.

He used it as his tag to sign his work while a subway artist. As a result, Haring's works spread quickly and he became exceedingly more recognizable. The writings of Burroughs and Brion Gysin inspired Haring's work with lettering and words. This included mass producing buttons and magnets to hand out and working on top of subway ads. In , Haring began organizing exhibitions at Club 57 , which were filmed by his close friend and photographer Tseng Kwong Chi. In January , Haring was the first of twelve artists organized by Public Art Fund to display work on the computer-animated Spectacolor billboard in Times Square. Haring used Jones' body as the canvas to paint from head to toe. After Haring was profiled in Paper magazine, Westwood reached out to editor-in-chief Kim Hastreiter to facilitate a meeting.

In , Haring was included in the Venice Biennale. Haring's swift rise to international celebrity status was covered by the media. His art covered the February issue of Vanity Fair , and he was featured in the October issue of Newsweek. Stadium in Philadelphia. In the spring of , Haring had his first solo museum exhibition at the Stedelijk Museum in Amsterdam, where he also painted a mural. The mural was meters ft long and depicted red and black interlocking human figures against a yellow background.

The colors were a representation of the German flag and symbolized the hope of unity between East and West Germany. Haring collaborated with Grace Jones , whom he had met through Andy Warhol. But after local media outlets picked up the story, Haring was released on a lesser charge. While in jail, Haring's original work was vandalized. This mural is an example of Haring's use of consciousness raising rather than consumerism, "Crack is Wack" rather than " Coke is it.

In April , Pop Shop was opened in Soho and made Haring's work readily accessible to purchase at reasonable prices, though he was highly criticized for the commercialization of his work. My shop is an extension of what I was doing in the subway stations, breaking down the barriers between high and low art. Commercialization allowed Haring's art to be easier and more affordable to own.

From to , Haring was featured in more than solo and group exhibitions and produced more than 50 public artworks in dozens of charities, hospitals, day care centers, and orphanages. In , Haring had exhibitions in Helsinki, Paris, and elsewhere. During his stay in Paris for the 10th anniversary exhibition of American artists at the Centre Georges Pompidou , Haring and his lover Juan Rivera painted the Tower mural on an foot-high 27 m exterior stairwell at the Necker Children's Hospital.

Its "Jesus iconography" is considered unusual in modern rock holiday albums. In , Haring joined a select group of artists whose work has appeared on the label of Chateau Mouton Rothschild wine. He felt he had something to prove because of his health condition and the deaths of his friends Andy Warhol and Jean-Michel Basquiat. Haring criticized the avoidance of social issues such as AIDS through a piece called Rebel with Many Causes that revolves around a theme of "hear no evil, see no evil, speak no evil". When AIDS became a reality in terms of my life, it started becoming a subject in my paintings. The more it affected my life the more it affected my work. It was released on May 4, which would have been his 32nd birthday.

They became friends and he documented much of Haring's career. By the early s, Haring had established friendships with fellow emerging artists Fab 5 Freddy and Futura , and singer Madonna. Warhol also created a portrait of Haring and his lover Juan Dubose in Art dealer Yves Arman was Haring's close friend, and Haring was the godfather of his daughter. Haring said Arman was "probably the best supporter I had in the art world. In , Gil Vazquez was invited by a friend to visit Haring's Broadway studio. Before his death, Haring set up a foundation bearing his name. He appointed his assistant and studio manager Julia Gruen to be the executive director; she began working for him in The foundation's stated goal is to keep his wishes and expand his legacy by providing grants and funding to non-profit organizations that educate disadvantaged youths and inform the public about HIV and AIDS.

It also shares his work and contains information about his life. As a celebration of his life, Madonna declared that the final American date of her Blond Ambition World Tour would be a benefit concert for Haring's memory. His art remains on display worldwide. The baby was embroidered by Haring's aunt, Jeannette Ebling, and Haring's mother, Joan Haring, did much of the sewing. On May 4, , on what would have been Haring's 54th birthday, Google honored him in a Google Doodle. In , Haring was one of the inaugural honorees in the Rainbow Honor Walk. Haring's signature style is frequently seen in various fashion collections. The work combines excerpts from popular chart music of the s with samples of classical music compositions by Lorenzo Ferrero and synthesized sounds.

In the film, his legacy is "resurrected through colorful archival footage and remembered by friends and admirers such as artists Kenny Scharf and Yoko Ono, gallery owners Jeffrey Deitch and Tony Shafrazi, and choreographer Bill T. Jones ". The animation featured his trademark blocky figures dancing in beat to an updated remix of " Into the Groove ". Keith Haring: Double Retrospect is a monster sized jigsaw puzzle by Ravensburger measuring in at 17 by 6 feet 5. The puzzle uses 32 pieces of his work and weighs 42 pounds 19 kg.

Haring's work demonstrates political and personal influences. References to his sexual orientation are apparent throughout his work, and his journals confirm its impact on his work. In some of his works—including cat. In some of his art he drew connections between the end of the world and the AIDS virus. In a piece that he made with William Burroughs , he depicts the virus as demon-like creatures, the number , and a mushroom cloud. Haring's proximity to the nuclear meltdown at Three Mile Island had a large impact on him.

His fear of nuclear disaster started to appear in his art. An example of this is a black and white striped flag that he said symbolized the danger of a nuclear apocalypse. Haring was deeply influenced by the Jesus Movement as a youth, and it continued to play a role in his art for his entire career. The movement was an extremely evangelical , loosely organized, diverse group of Christians. They were known for their anti-materialism and anti-establishment beliefs, focus on the Last Judgment , and their compassionate treatment of the poor. As a young teenager, Haring became very involved in the movement. Religious symbols started to be incorporated into his drawings around that age as well as Jesus Movement sentiments.

This includes anti-church establishment views that can be seen in some of his later work. In an interview near the end of his life he commented, "[All] that stuff stuck in my head and even now there are lots of religious images in my work. Some people even think my work is by a religious fanatic or maniac. When Haring was drawing graffiti in the subway, he used a tag to sign his work. His tag, the Radiant Baby, depicts a baby with lines radiating from it, alluding to the Christ Child.

He continued to make images depicting the Christ Child, including Nativity scenes in his characteristic style during his time as a subway artist. In them he illustrates the Last Judgment, though who is being saved in the pieces is ambiguous. During his lifetime, Haring had over 50 solo exhibitions, and was represented by well-known galleries such as the Tony Shafrazi Gallery and the Leo Castelli Gallery. In , a retrospective at the Museum of Contemporary Art Australia was the first major exhibition of his work in Australia.

Freedman Plaza and along the Park Avenue Malls. Become a Member. Figure The characters in Haring's work; generally, they represent people and players in society. Barking dog The "family dog" tag is, aside form the radiant baby, Haring's most famous tag. Generally does not have explicit symbolism, though sometimes indicates action or suspicion. The dog character, who sometimes is a standing figure seemingly combined with a human form , can represent authoritarian government, abuse of power, police states, and oppressive regimes. Cross A reference to organized religion, of which Haring was extremely skeptical and generally regarded with suspicion. The upside-down cross also appears in Haring's work and is an anti-Christian symbol from art history—the cross of St.

Peter, who was crucified upside-down. Heart Naturally, represents love or individuality. Stick Usually represents power and authority. It can also be a source of energy. Some art historians believe the stick may be connected to the artist's paintbrush, but it does not literally represent this object in the narratives of the drawings. TVs Represent mass media and technology. Pyramids Refer to an ancient past and are also connected to the hieroglyphic-life movements of the "electric boogie" in hip-hop dance, which Haring often depicted his figures performing.

UFOs Represent a kind of cosmic energy that can take on many forms. The UFO suggests a dystopian future and supernatural forces, and also may be picking up on themes of outer space and science fiction in hip-hop. Upside-down figures Human figures depicted upside-down are usually B-boys and B-girls, the dancers of hip-hop, doing the iconic move in which they spin on their head. Figures contorting in backbends or jumips are probably also depictions of break dancers. Radiant baby The crawling baby, with lines emanating from around its body, is known as the "radiant baby"—Keith Haring's main tag, logo, or the symbol that represented him.

It is one of 13 stories in the cycle collected as The Return of Sherlock Holmes. Doyle ranked "The Adventure of the Dancing Men" third in his list of his twelve favourite Holmes stories. This is one of only two Sherlock Holmes short stories where Holmes' client dies after seeking his help. The little dancing men are at the heart of a mystery which seems to be driving his young wife Elsie to distraction.

He married her about a year ago, and until recently, everything was well. Cubitt swore the promise and, being an honorable English gentleman, insists on living by it, which is one of the things causing difficulty at Ridling Thorpe Manor. The trouble began when Elsie received a letter from the United States, which evidently disturbed her, and she threw the letter on the fire. Then the dancing men appeared, sometimes on a piece of paper left on the sundial overnight, sometimes scrawled in chalk on a wall or door, even a windowsill. Each time, their appearance has an obvious, terrifying effect on Elsie, but she will not tell her husband what is going on. Holmes tells Cubitt that he wants to see every occurrence of the dancing men.

They are to be copied down and brought or sent to him at B Baker Street. Cubitt duly does this, and it provides Holmes with the most important clue in the whole mystery. Holmes quickly realizes that it is a substitution cipher. Through much brainwork, he cracks the code by frequency analysis. The last of the messages conveyed by the dancing men is a particularly chilling one, and Holmes rushes down to Ridling Thorpe Manor only to find Cubitt dead of a bullet to the heart and his wife gravely wounded in the head. Inspector Martin of the Norfolk Constabulary believes that it is a murder-suicide, or will be if Elsie dies. As is so often the case, Holmes sees things differently. Why is there a bullet hole in the windowsill, making a total of three shots, while Cubitt and his wife were each only shot once?

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