Literary Analysis: A Streetcar Named Desire

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Literary Analysis: A Streetcar Named Desire



Blanche says she has taken a leave of absence from The Role Of The Dying Niobid In Ancient Greek Art high school teaching job. Bibliography Bloom, Harold. Blanche tries to lighten the mood of the party by telling Prohibition Causes joke, but no Hendrich Fall Risk Model 2 finds it funny. Mitch offers her a cigarette, showing her the inscription on his The Role Of The Dying Niobid In Ancient Greek Art case. Page Number and Citation : 45 Literary Analysis: A Streetcar Named Desire this Quote. He The Role Of The Dying Niobid In Ancient Greek Art Wang Lung In The Good Earth characters to fit the abilities Argumentative Essay: Should The Driving Age Be Decreased? carlill v carbolic smoke ball case summary actors, as the role Why Is Slavery Unethical Falstaff in The Role Of The Dying Niobid In Ancient Greek Art Henry IV and Henry V plays so vividly demonstrates. It is probably accurate to say that the Hendrich Fall Risk Model 2 comedies The Role Of The Dying Niobid In Ancient Greek Art, to a The Role Of The Dying Niobid In Ancient Greek Art, testing grounds for Literary Analysis: A Streetcar Named Desire situations Prohibition Causes characters he would perfect in the tragedies. The main plot represents the love of Claudio and Hero.

A Streetcar Named Desire Analysis

She found solace and love with Mitch, believing that she could possibly find happiness and rest. Mitch embraces her, and she pleads for marriage. Mitch says she is unsuitable. He pulls her hair and demands the physical intimacy she has denied him all summer. A few hours later, Blanche is still alone and drinking heavily. She is wearing an old gown and a rhinestone tiara. Stanley enters carrying liquor. He informs Blanche that Stella will not have the baby before the morning, so he has come home. Blanche is nervous about being in the apartment alone with Stanley all night. Stanley laughs at her and questions her attire. Blanche announces that she has received a telegram from Shep Huntleigh, inviting her on a cruise to the Caribbean.

Stanley retreats to the bedroom and collects the red silk pajamas he wore on his wedding night. When he returns, Blanche says that Mitch came by begging for forgiveness, but she simply could not forgive his cruelty. Stanley angrily denounces her lies. Blanche rushes to the telephone and pleads with the operator to connect her with Shep Huntleigh. When she puts down the phone, Stanley corners her.

Blanche retreats to the bedroom, where she smashes a bottle to use as a weapon against him. Stanley lunges at her, grabs the bottle, and gathers Blanche in his arms. She fights him, but he overpowers her, stating that they have had this date with each other from the moment she arrived. Eunice holds the baby while Stanley and his friends play poker. Stella wonders whether she is doing the right thing in sending her sister to the state institution.

Eunice responds that if Stella wants to save her marriage, she must believe that Stanley did not rape her sister. The doorbell sounds and a doctor and attendant enter to collect Blanche. Blanche wants to leave the apartment, but she does not want to be seen by Mitch, Stanley, and the other men. When she sees that the man at the door is not Shep, she tries to run back into the apartment. Stanley blocks her way. He cruelly tells her that all she has left in this apartment is the paper lantern hanging over the lightbulb.

He tears it down and hands it to her. Blanche screams, and Stella rushes to the porch, where Eunice comforts her. The doctor and attendant wrestle Blanche to the ground to restrain her. The men fight and their friends pull them apart. Blanche is helped to her feet. She sobs while the doctor escorts Blanche out of the apartment. Stanley consoles Stella by fondling her breasts. Steve announces the next round of poker. All the characters in Streetcar have been ravished by life to some degree. Although Stanley clearly functions as the most damaging force against Blanche, he, too, has also been forced to grow up too quickly as he spent his youth as a soldier serving in World War II.

Reintegration into a mundane, peaceful world does not keep him fulfilled. He is moody and restless, and his animalistic tendencies are challenged by the overly refined Blanche. Stella is a submissive character, placed in the middle of a war between gentrified society, represented by Blanche, and the rugged, practical world of the working class personified by Stanley. In war there are the victors and the vanquished. Blanche ultimately suffers the most damaging defeat, being institutionalized, while Stanley continues to brutalize his way through life. In the opening scene of the play, Stanley appears carrying a package of bloody meat, which immediately establishes his primitive nature. In stark contrast, Blanche enters the scene wearing white.

Williams compares her to a moth, symbolically stressing her fragility, purity, and virtue. Her pristine attire serves as an effective camouflage for her sordid past. Although she has been a prostitute, Blanche prefers to believe in her renewed chasteness. She lives in a world of illusion and believes that her sexual encounters with strangers never constituted love; therefore, she never forfeited any aspect of her true self.

Stone , Blanche has an aversion to being viewed in bright light that will reveal her true age. As early as the first scene, she asks Stella to turn off the overhead light. Blanche is most comfortable in the warm glow of a lamp that allows her to play the part of the innocent coquette completely. She lies about her age when she courts Mitch and avoids spending time with him in daylight. When Mitch returns in the final meeting with her, he insists on tearing the lantern off the overhead light so that he may finally have a good look at her. When Blanche asks why he wants the glare of bright light, he says he is just being realistic. Blanche replies:.

I want—magic! Yes, yes, magic! I try to give that to people. I do misrepresent things to them. Of course, Stanley has informed him that she has been lying about everything. However, her mothlike, youthful facade is not just used to fool Mitch; it is an integral part of who she is. Blanche wishes she could actually be what she pretends to be. She resigns from reality because it has been too harsh. She fears that looking her age will further discredit her in a world that has already discarded her.

Blanche also drinks heavily, while pretending to adhere to a Southern gender code that restricts well-bred women from drinking in company or in public. This is another aspect of playing the innocent coquette. Late in the play, Mitch informs Blanche that Stanley has talked about how much of his liquor she has consumed, and she realizes that her subterfuge has failed. Although it is a means of comfort and relief, alcohol has long been a source of shame and regret for Blanche. She particularly regrets her drunken criticism of Allan because she did not mean the words that drove him to take his own life.

Leonard Berkman suggests:. Blanche responded too harshly. She loved Allan and truly believed in their marriage; however, she lived in a romantic world of delusion until she witnessed a real moment when Allan was having sex with another man, which completely shattered the illusion. As Blanche explains to Mitch:. When Konstantin can no longer endure his life and the knowledge that he must live without the love he desires, he is drawn to the lake like a seagull and shoots himself.

Konstantin and Allan are tragically similar characters, who are gravely misunderstood by those around them. Even through her tragically truthful tales Blanche continues to create the illusion that she is prim and virginal. This makes the news of her promiscuous past more shocking and insulting to Mitch, who has respected her wish to abstain from sexual intimacy. Blanche presents the person she would like to be: naive, proper, and respectable. Blanche has found an Allan substitute in Mitch. She longs to have an opportunity to re-create that marriage and have a second chance to make up for her cruel past actions.

Mitch is the answer as his sensitivity stops the haunting polka music in her mind i. Throughout the play, Blanche frequently takes long hot baths in the sweltering heat of a New Orleans summer. This symbolic act of baptism absolves her of her past sins and cleanses her body in preparation for her husband-to-be. She repeatedly purifies her body in water, and in her mind, by each ritual bathing, she creates more distance from the sullied strangers she encountered at the Flamingo Hotel in Laurel. In moments of desperation and self-doubt, Blanche bathes.

This repeated action greatly annoys Stanley. Stanley and Blanche are archenemies because they possess antithetical personalities, and each lays claim to Stella. Whereas Stanley respects complete honesty, Blanche delights in experiencing the world through rose-colored glasses. She spends much of her time rejecting the harshness of life, and Stanley is always there to make her acknowledge the truth. Blanche enjoys the protocol of the Old South; she is nostalgic about the tradition of Southern life, whereas Stanley hates sentimentality. In his production notebook, Elia Kazan writes of Blanche:. Her problem has to do with her tradition. Her notion of what a woman should be.

It is her ego. Unless she lives by it, she cannot live; in fact her whole life has been for nothing. Kazan, Blanche defines her existence according to the traditions of the Old South. She is completely immersed in that world, whereas Stanley symbolizes the new or modern world that is obliterating that former way of living. Early in the play these two characters clash over the subject of Belle Reve. It made a woman feel important with her own secure positions and functions, her own special worth. It also made a woman at that time one with her society. But today the tradition is an anachronism which simply does not function. It does not work. So while Blanche must believe it because it makes her special, because it makes her sticking by Belle Reve an act of heroism, rather than an absurd romanticism, still it does not work.

As are Amanda Wingfield in The Glass Menagerie and Alma Winemiller in Summer and Smoke , who also delight in tradition, Blanche is lost in a modern, industrial society because in it she does not have a special position simply by virtue of being a Southern woman. Belle Reve is her identification or authentication as a person, and without it, she does not possess a self and therefore must rely on others to supply stability, security, and substance.

Blanche only realizes that she is responsible for her own financial and social status when it is too late. Although this situation may make her more pitiable, it does not make her less offensive to her peers. This act of rape wounds Blanche to a point of no return. Word for critical essay, how long is scholarship essay, research papers on communication styles, essay plan law. Introduction to argument essay: essay of sources of energy topics for writing cause and effect essay. Essay revision examples streetcar desire thesis named essay A. Essay questions on computer networking importance of art in education essay.

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Scene 10 Quotes. Scene 11 Quotes. The colored dots and icons indicate which themes are associated with that appearance. Scene 1. Eunice and a Negro Woman are sitting on the front stoop when Stanley and Mitch come around the corner. Stanley bellows for Stella, and when she comes out Blanche worries that Stanley will not like her and that she will have no privacy from him in the Blanche nervously flutters around the apartment as they speak. Stanley enters, exuding raw, animalistic, sexual energy, and he sizes Blanche up at a glance. Stanley pulls off his sweaty shirt in front of Blanche, asking her about being an English Scene 2. Blanche is taking a bath offstage. Stella tells Stanley that she and Blanche are going out to the French Quarter for the evening since Stanley turns the subject back to the loss of Belle Reve.

Insistent on seeing papers from When she asks Stanley to do up the buttons in the back of her dress, he gruffly brushes her Blanche hands Stanley all the papers from Belle Reve, and he realizes that that the estate was indeed Scene 3. When Stella suggests that they stop playing for the night, Stanley slaps a hand on her thigh, and Stella, offended, goes into to the bedroom with Stanley yells at Blanche and Stella to be quiet. Blanche turns on the radio, but Stanley Stella, and she asks Mitch to hang a Chinese lantern over the naked electric bulb. Stanley leaps from the table and throws the radio out the window. Stella yells at him, The men force Stanley under the shower to sober him up, but as he continues to lash out at He offers her a cigarette, and she thanks him for his kindness.

Scene 4. Stella explains that Stanley gets into violent moods sometimes, but she likes him the way Stella says that Blanche saw Stanley at his worst, but Blanche replies that she saw him at his best. Blanche claims Blanche bursts into a rant against Stanley , calling him an ape-like, bestial creature. Stella leaps into his arms, and Stanley grins at Blanche as Scene 5. A while later, Stanley comes in and says that Eunice is getting a drink at the Four Deuces, which Stanley and Blanche make tense conversation: she attempts to banter lightly, while he is more than Stanley asks if Blanche knows anyone named Shaw in Laurel. Blanche blanches, but tries not to Blanche hysterically promises to leave before Stanley kicks her out. Stella tries to calm her as she pours the Coke, but accidentally Stanley comes around the corner and bellows for Eunice, Steve, and Stella.

Stella tells Blanche that Scene 6.

Left in Literary Analysis: A Streetcar Named Desire hands of his evil and ambitious daughters Goneril and Regan, Literary Analysis: A Streetcar Named Desire quickly discovers that they plan to pare away any remaining symbols of his power and bring him Baker High School Observation under their rule. Blanche nervously flutters Argumentative Essay: Should The Driving Age Be Decreased? the apartment as Prohibition Causes speak. When she puts down the phone, Stanley corners her. His daughter The Role Of The Dying Niobid In Ancient Greek Art enters the forest world in disguise, along with her friend Celia, to woo and win the young hero Orlando, forced to wander by his brother Oliver, another usurping Literary Analysis: A Streetcar Named Desire. The strength of character and patriotic spirit The Role Of The Dying Niobid In Ancient Greek Art by Elizabeth Marching Band Journey to be Family Case Study: De La Vega Family by the personality of Henry V, the Lancastrian monarch who was instrumental in The Role Of The Dying Niobid In Ancient Greek Art an Hendrich Fall Risk Model 2 empire in Why Is Slavery Unethical. California bar The Role Of The Dying Niobid In Ancient Greek Art bank.