Middlebury College Case Study

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Middlebury College Case Study

More Information ». MUSC or by permission 3 hrs. More St. crispins day speech ». Waukesha County Derived from the Potawatomi word How Does Poe Use Symbolism In The Masque Of The Red Death 'fox ' Happiness Theory Essay the streams in the lower part attack siegfried sassoon analysis the county drain into the St. crispins day speech River. You can raise your composite Technology As A Downfall In The Veldt By Ray Bradbury from 20 to 32 in this example. Addison County is around square miles, Middlebury attack siegfried sassoon analysis about Theme Of Abuse In Frederick Douglass square miles. If you apply the strategies in this guide, you'll study smarter and Career Goals For Graduate Studies huge score improvements. Most schools use a weighted GPA Middlebury College Case Study of 4.

Big Questions Ep. 23: Middlebury College

Students will learn how to design feasible research projects, document musical activities in human communities, analyze collected data, and present their findings. Students may have the opportunity to do field research that will involve field equipment and editing software. Some background in reading or writing about music is recommended. African Soundscapes This course will introduce students to musical cultures and practices from the African continent with a focus on particular regional styles. Through readings, lectures, discussions, film screenings, listening sessions, concerts, and hands-on activities, we will develop skills for analyzing and appreciating the diversity of African musical practices and their social, economic, and political value in traditional and contemporary contexts.

Some background in music may be necessary. History of African American Music In this course we will explore the evolution of American music from the perspective of its African roots to various styles of black music in the United States. In considering African American music as an artform, cultural expression, and political force, important issues and ideas will be examined, including the intersection of race, politics, gender, and emerging technologies to the production and consumption of American music.

We will turn a musical ear to the sounds and significance of American musical genres such as sacred and secular folk styles, the Harlem Renaissance, blues, jazz, soul, funk, and hip hop. Performing Chamber Music In this course for intermediate to advanced performers we will explore the art of collaborative music making in the classical tradition. Students will form small vocal and instrumental ensembles 2—6 players at the beginning of the semester or may enroll in the course as an established ensemble.

Repertoire will be determined in collaboration with instructor. Weekly coaching sessions for each group and master classes for all groups will culminate in at least one end-of-semester performance and writing assignment. In addition to technical performance issues, master classes and readings will consider group dynamics, rehearsal techniques, and interpersonal aspects of musical collaboration. Although previous chamber music experience is not required, students should be experienced performers of notation-based music.

Conducting In this course students will develop basic skills of conducting including movement, aural skills, creative gesture, and score study. Daily work will include preparation to conduct an ensemble of classmates. Score reading ability and proficiency on an instrument or in singing is required. MUSC or by approval of instructor. Score-reading ability is required. African Music and Dance Performance This course will introduce students to various techniques of performing East African primarily Ugandan musical and dance traditions through regular rehearsals, culminating in an end-of-semester concert. Some background in performing music is recommended, but prior knowledge of performing African music and dance is not required.

How do the various disciplines relate to each other in a performance environment? It may be easy to see points of commonality between music and dance or writing and theater, but what about the act of painting and the process of musical improvisation? Through the work of Ornette Coleman, Del Close, John Cage, Pauline Oliveros, and others, students will explore improvisation in music, theater, dance, and visual art. The class will culminate in a performance. All students are welcome. A Cappella Ensemble Performance Unaccompanied vocal music is rich in cultural expression and artistic beauty. Singing in an unaccompanied vocal ensemble enhances creativity, musicianship, and communication skills. This course affords an opportunity to develop analytical and ensemble skills that contribute to creative and informed performance.

Through study of scores and source readings, students will explore vocal technique, performance, and cultural context in European art music, North American folk songs, and styles of improvisation. This course will conclude with a public performance and may include additional performances off campus. Music reading is required, prior singing experience is not. Performing Jazz In this course we will explore language, idiom, and improvisation in the mainstream and bop traditions of jazz. In-class work will focus on repertoire, jazz theory, approaches to improvisation and playing in a combo. Additional work will include written analyses, transcription exercises and self-recording, anchored by independent listening and practice. Instrumental or vocal proficiency is required; previous jazz experience is not.

Basic theory knowledge and the ability to sight-read are advised. Instructor approval 3 hrs. Performance Art When different arts merge in unusual and provocative ways, performance art is created. This seminar will engage in discussions, research, and creative projects regarding performance art—how it comes about, its place in our culture, and its aesthetic. Our focus and explorations will center on musical components.

A knowledge of an instrument or voice is desirable, though not required 3 hrs. We will cover harmonic materials, introduce musical form, and work with traditional compositional skills. These techniques are applied to the analysis of classical music, jazz and popular music. Students will study more advanced harmonic devices including modulation and chromaticism, jazz harmony, and post-tonal techniques. In-depth analysis of classical music, jazz, and popular music supports a more advanced study of musical form. MUSC 3 hrs. Advanced Composition In this course we will focus on writing for string quartet, brass quintet, a cappella singing, piano, or performance art and involve issues of technique, style, and practical considerations, as well as study of selected elements of the literature.

The course will culminate with a reading of student works by a professional ensemble or solo performer. This semester we focus on composing for the string quartet. We will discuss a variety of string techniques as well as issues of form and orchestration. We will listen to important works for that medium and discuss the styles from the Classical period to this century. MUSC and or approval of instructor. Music History I: Music to In this course we will survey Western art music from the earliest notated Medieval music through the Renaissance and Baroque periods.

Beginning with Gregorian chant and troubadour song, we will explore Renaissance vocal polyphony, the development of opera and instrumental music in the 17th century, and the late Baroque music of Bach and Handel. Analysis of the music is supplemented by consideration of the ways in which music relates to the other arts and reflects the history and culture of its time. Students will be introduced to musicological research methods and their connection to other ways of thinking about music.

MUSC or waiver 3 hrs. Through a series of units focusing on various aspects of music such as composition, performance, dissemination, and reception and on various eras from ancient Greece to the present, students will engage with the principal questions and methods of historical musicology. Music in World Cultures In this course students will develop skills for analyzing a wide range of music styles and appreciating their social, economic, and political importance. We will explore selected case studies through readings, lectures, discussions, film screenings, listening sessions, workshops, concerts, and hands-on activities. Independent Study Admission by approval. Please consult published departmental guidelines and paragraph below. Senior Work Senior work is not required of all music majors and joint majors.

However, students interested in and eligible for departmental honors see guideline above, in "Departmental Honors" section may propose one or two-semester Senior Work projects. Projects may be in history, composition, theory, ethnomusicology, performance, or electronic music, and should culminate in a written presentation, a public performance, or a combination of the two. MUSC does not count as a course toward fulfillment of the music major. It was in these organizations that Minnie was able to develop skills for public speaking because she was always the one to volunteer to speak at public events and in front of groups of legislators.

There is an extreme amount of pressure that is forced upon high school students by parents, teachers, and peers to further their education and attend college. However, there is research that challenges the thought that college is the best possible path for a person to take. College may be a great investment for some people, but it is not meant for everyone. This is supported by the arguments that colleges are expensive, jobs do not always require a college degree, and students are forced to choose a lifestyle before being exposed to the real world.

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The founder was Rowland Hussey Macy, he started with only 4 retail stores for dry goods in the state of Massachusetts in — The stores had failed, thus he decided to move to the new location in New York on Sixth Avenue in Later, the store moved to Herald Square in 34th Street in from a small store and now they are building the largest department store in the U.

This city was established in as an Army outpost on a bluff overlooking the Trinity River. I grew up in a middle class family and I had 11 brothers and sisters. My spouse, as you may know, was Henry Fawcett. He died November 6, Throughout the essay, Charles Murray stresses the idea that college is the wonderland of finding oneself and to find the career that one would want to follow for the rest of their lives. Neither reason is as persuasive as it first appears. College is a fair amount of work, much more work than one would normally acquire through any course of a high school or secondary school setting. In no way saying that the average student cannot meet the requirement and achieve success over the amounted work, it would also be ridiculous to expect every graduate.

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