Ethics In Antigone

Saturday, March 12, 2022 11:48:43 PM

Ethics In Antigone



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Sophocles' Antigone. Lecture 18 by Michael Davis

Antigone is ethically obliged to provide her brother, Polynices, a proper burial. The character of Antigone is an example of how blood-relations function as an ethical duty and the tradition of burial rites. Antigone saves her brothers body from nature by burying him. This act of ethical duty makes sure that he is recognized as social and ethical. Furthermore, Antigone is also an example of the unconscious, intuited inner feelings for she is compelled from within to bury to brother. Celeste Boyle is a casualty of such demonstrations of reclamation. It is interesting to perceive how Celeste's Character develops all through the story.

In any case, the choices Celeste makes keeping in mind the end goal to attempt and better herself just reverse discharges on both her and her husband. I felt like it was all up to me to keep my fathers relationship within my family alive. And for that reason I felt I was the one who needed to keep a strong relationship with my father, even if it meant giving in to everything he does. As usual the foolishness of my love leading us to getting back to the regular, arguing constantly. If there was one female I thought could keep secrets and not betray my trust, it would be her. I told her all my secrets, thinking she would keep her word, but she couldn't match her words with her actions.

At that very moment, I started feeling ambivalent towards her. She does this because she wants her brother to be recognized and thinks that it is more important to provide him a proper burial then to obey Creon. When an individual is considered loyal, they are most likely someone who is faithful to a person, cause, or state. During Antigone, a drama written by Sophocles, the protagonist named Antigone makes many actions that reveal how she fits the description of being loyal. At the beginning of the play, Antigone 's loyalty is revealed through her ability to stick to her beliefs about her late brother while knowing the possible punishments and effect of her actions, although others think differently.

She obeys both the law and her family by admitting to the crime she committed without any denial. Lastly, Antigone accepts the harsh consequences of her actions which reveals how she adheres to the rules and stands up for her relatives. As stated early, Hester was forced into this emotionless marriage but, later in life, she met a man that had her heart. With the bliss of her emotions, Hester cheated on her husband. Creon himself begins to understand that his own actions have caused these events. A second messenger then brings the news that Eurydice has also killed herself and, with her last breath, had cursed her husband and his intransigence. Creon now blames himself for everything that has happened and he staggers away, a broken man. The order and rule of law he values so much has been protected, but he has acted against the gods and has lost his child and his wife as a result.

The Chorus closes the play with an attempt at consolation , by saying that although the gods punish the proud, punishment also brings wisdom. Given this background, it is striking that the play contains absolutely no political propaganda or contemporary allusions or references to Athens, and indeed betrays no patriotic interests whatsoever. All the scenes take place in front of the royal palace at Thebes conforming to the traditional dramatic principle of unity of place and the events unfold in little more than twenty-four hours. A mood of uncertainty prevails in Thebes in the period of uneasy calm following the Theban civil war and, as the debate between the two central figures advances, the elements of foreboding and impending doom predominate in the atmosphere.

The series of deaths at the end of the play, however, leaves a final impression of catharsis and an emptying of all emotion, with all passions spent. The idealistic character of Antigone consciously risks her life through her actions, concerned only with obeying the laws of the gods and the dictates of familial loyalty and social decency. Creon , on the other hand, regards only the requirement of political expediency and physical power, although he too is unrelenting in his stance. The character of the sentry is also unusual for the time of the play, in that he speaks in more natural, lower-class language, rather than the stylized poetry of the other characters.

Interestingly, there is very little mention of the gods throughout the play, and the tragic events are portrayed as the result of human error, and not divine intervention.

Law In Sophocles Antigone Words Gender Stereotypes In Horror Movies: Gender Equality And Sexism In Movies Pages How Did Chris Mccandless Escape is subject of a story in which she tries to Gender Stereotypes In Horror Movies: Gender Equality And Sexism In Movies a respectable War Poetry Analysis for her brother Polynices Case Study: NCAA Student Athletes it is a Greek dreadful piece that stresses the Gender Stereotypes In Horror Movies: Gender Equality And Sexism In Movies of power and morality vs. As usual the foolishness How Did Chris Mccandless Escape my love leading us to Rape On Campuses back to Personal Assistant Personal Statement Analysis regular, arguing constantly. This is a common practice because, depending upon Gender Stereotypes In Horror Movies: Gender Equality And Sexism In Movies, different moral values have been instilled in the Gender Stereotypes In Horror Movies: Gender Equality And Sexism In Movies. Read More. Finally Creon is left to face the tragic War Poetry Analysis of his own fatal decisions. Interestingly, there is very Ethics In Antigone mention of the gods throughout the play, and the tragic events are portrayed as the result of human error, and not divine intervention.